Sunday, March 18, 2012
La Peña’s main stage on a Sunday morning (Berkeley, CA).

La Peña’s main stage on a Sunday morning (Berkeley, CA).

Children of the Dirty War

‘Chicha Marian is eighty-eight now, and almost toally blind. She has converted the house in La Plata from which her graddaughter [Clara] was taken into a museum its, its bombed rubble enclosed by Plexiglas, and she runs a foundation named for Clara Anahí. “I’m alone in the world,” she told me. “I was always expecting to find Clara Anahí. Every morning I wake and think, I don’t want to, I don’t want to go on. After a while, I think, But if I don’t move, what will happen? And I get up and go out to search for her. Who will look for her when I’m gone?”’

Francisco Goldman, “Children of the Dirty War. Argentina’s Stolen Orphans,” The New Yorker (March 2012)

Photo: Chicha Mariani, at the bullet-scarred house of her son, daughter-in-law, and graddaughter. Armed forces attacked the house in 1976. Photograph by João Pina.

Thursday, February 9, 2012
My dad in Civitella del Tronto, Italy. Summer 2011. A storm coming.

My dad in Civitella del Tronto, Italy. Summer 2011. A storm coming.

1. My neighbours in our shared garden - J. and his grandma.

2. Rico Pabon and Kirby Dominant after a performance of Great Integration: A Chamber Hip Hop Opera in San Francisco, with Ensemble Mik Nawooj

Saturday, January 14, 2012

Andrés Calamaro, Volver

Artemisia Gentileschi, pittoressa.

Exhibition at Palazzo Reale, MIlan http://www.mostrartemisia.it/ 

Friday, January 6, 2012

Epifania day in Miano, Abruzzo.

Saturday, December 3, 2011
The last manuscript on which he worked (an essay on Stendhal, left on his desk on the day of the accident) had been entitled “One Always Fails to Speak of the Things One Loves”. Rereading: Camera Lucida
Thursday, December 1, 2011
What are you doing mum?”
“I’m crying.”
“What for?”
“For your dad.”
“Now?”
“I didn’t have time before. I had to raise children and work. Now I can enjoy my pain.
From a seminar on oral historiography with Alessandro Portelli.
Tuesday, November 22, 2011

OccupyCal sleep-out, around 10pm: A UCPD policeman is signing a thank-you card for Kelly, the woman who took care of the food for those staying over the night. I hope this all goes on as beautifully as it started.

Monday, November 21, 2011
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents in the capture of death… for my part I should prefer that instead of constantly relocating the advent of photography in its social and economic context, we should inquire as to the anthropological place of death and the new image. For death must be somewhere in a society; if it is no longer (or less intensely) in religion it must be elsewhere; perhaps in this image which produces death while trying to preserve life. Contemporary with the withdrawal of rites, photography may respond to the intrusion, in our modern society, of a symbolic death, outside of religion, outside of ritual, a kind of abrupt dive into literal death. Roland Barthes, Camera Lucida (1980)
Sunday, November 20, 2011
holding on

holding on

November 15 General Strike, Berkeley, CA